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Stooges ‘Gimme Danger’ Documentary To Premiere In Sydney, Deals Set For 8 Countries

Iggy and the Stooges

Gimme Danger, the Iggy and the Stooges documentary by Jim Jarmusch, will have two screenings during the Sydney Film Festival in June. The film will be shown in Sydney at the State Theatre on June 17 at 9 p.m. and Event Cinema George Street on June 19 at 3:45 p.m. local time as part of the festival.

In addition, Le Pacte has struck a deal for French rights to the film. Additional territories sold include Australia (Transmission), Japan (King Records), Germany (Studiocanal), Hong Kong (Edko), Poland (Gutek), Portugal (Leopardo) and Switzerland (Filmcoopi Zurich).

The worldwide premiere of Gimme Danger will take place at the Cannes Film Festival on May 19.

Read more at Noise11 and Screen Daily.


TOTAL CHAOS: The Story of The Stooges / As Told By Iggy Pop Coming Winter 2016

TOTAL CHAOS: The Story of The Stooges / As Told by Iggy Pop

Third Man Books is excited to announce one of the most anticipated books of the year about one of the most influential bands of all time… The Stooges. TOTAL CHAOS: The Story of The Stooges / As Told by Iggy Pop is the first time the story of this seminal band has been told entirely in Pop’s own words.

Author Jeff Gold and contributor Johan Kugelberg, noted music historians and collectors, spent two days with Pop at his Miami home, sharing with him their extensive Stooges collection and interviewing the legendary singer. Pop’s candid, bare-all responses left them with the almost unbelievable tale of the band he founded-the alternately tragic and triumphant story of a group who rose from youth, fell prey to drugs, alcohol, and music biz realities, collapsed and nearly 30 years later reformed, recording and touring to great acclaim. In 2010 The Stooges, credited with having invented punk rock, were inducted into the Rock & Roll Hall of Fame. Their continuing influence can be felt today in the shape and sound of rock-n-roll music.

Jeff Gold, Johan Kugelberg and editor/contributor Jon Savage are among the most respected music authors and historians working today. Their efforts include numerous acclaimed and best-selling books and a Grammy Award. TOTAL CHAOS stands as a work for all fans of the band and rock music to draw inspiration. Including an absolute treasure-trove of rare and unseen photographs, TOTAL CHAOS is a book that shows AND tells the story of The Stooges. A metallic k.o. of only the best kind.


It was a rare privilege to sit with Iggy as he downloaded the story of The Stooges. He’s an incredible storyteller with a fantastic memory and a great sense of humor, and he held nothing back. The Stooges were pioneers in sound, look, and live presentation, and along the way invented a genre-punk rock-and influenced countless others that followed. There was no precedent in rock music for what they did. They’re definitely the only group in the Rock and Roll Hall of Fame who started out playing an amplified Waring blender, a vacuum cleaner, spring water bottles and a 200 gallon oil drum. – Jeff Gold, Author of 101 Essential Rock Records

Iggy and The Stooges have to be one of the greatest American rock bands that has ever been. – Joan Jett

What does it mean to be Iggy Pop, five decades of being ‘the wildest man in rock’? Iggy Pop is many things. Rock Star. Singer, Rebel. Primitive. Stooge. The Jean Genie, Passenger. Legend. – Johnny Marr

Iggy Pop has turned the interview into an art form. In this book he tells the history of The Stooges with a mixture of wit, candor and spontaneity: from their early beginnings to their full flaming flare over three groundbreaking albums before the crash and the triumphant return that no-one could have predicted. Profusely illustrated with dozens of unseen images, this is the story of The Stooges like you’ve never read it before. – Jon Savage, Author of England’s Dreaming.


Ben Blackwell

Joan Jett

Johnny Marr

Jack White

& more.


Iggy Pop Discusses Stooges Brotherhood In New Issue Of MOJO

MOJO April 2016 cover story

Iggy Pop is featured in a new cover story for the April 2016 issue of MOJO, in an interview that surveys his entire career. Speaking about his Stooges bandmates, brothers Ron and Scott Asheton, he discusses the relationships which fueled their creativity. “I was very much pursuing a brotherhood with them,” he said.

Read more at MOJO. The magazine is on sale now.


Iggy Pop On David Bowie: ‘He Resurrected Me’ – The New York Times

Iggy Pop and David Bowie

Photo credit: Rex Features, via Associated Press

Iggy Pop, whose solo recording career began with two albums produced by David Bowie, said in an interview this week that he had still not fully processed Mr. Bowie’s death, at 69, on Sunday.

“The friendship was basically that this guy salvaged me from certain professional and maybe personal annihilation — simple as that,” said Mr. Pop, who is 68. “Only he was the one who had enough truly in common with me, and who actually really liked what I did and could get on board with it, and who also had decent enough intentions to help me out. He did a good thing.”

He added, “He resurrected me.”

Read more at The New York Times.


Message From Iggy

David’s friendship was the light of my life. I never met such a brilliant person. He was the best there is.

– Iggy Pop


The Stooges: 10 Of Their Best Songs – The Guardian

The Stooges in 1970
In honor of Steve Mackay, The Guardian has put together a list of what it considers to be 10 of the best songs by The Stooges. Do you agree with their list? Here is an excerpt about “1970”:

The riff gets stuck like a scratched record, the Stooges retracing its three notes endlessly, like cavemen caught in a loop, Iggy barking “I feel all right!” again and again, and over the top the newest introduction to the group – saxophonist Steve Mackay, who sadly died this week, and who’d joined the group two days before the sessions for Fun House began – bleated and raged and blew, infesting the song’s priapic stomp with seething free-jazz skronk. It’s debauchery pushed to a psychosis some way beyond excess, beyond enervation, beyond exhaustion. Indeed, if you find yourself repeating the phrase “I feel all right” this many times, with such strangled passion, over a rusticated, circular riff caught in an ever-decaying orbit, then the chances are you don’t feel very all right.

Photo by Ed Caraeff, Getty Images


Tributes To Steve Mackay (1949-2015)

Steve was a classic ’60s American guy, full of generosity and love for anyone he met. Every time he put his sax to his lips and honked, he lightened my road and brightened the whole world. He was a credit to his group and his generation. To know him was to love him.


In the late 1960s, Iggy Pop had a problem. He was the frontman of a band — the Stooges — that would become legendary, but they weren’t legendary yet. … In an attempt to bolster his band’s already notoriously brash, confrontational sound, he hired saxophonist Steve Mackay. Mackay’s marching orders: … “I want you to play like you are Maceo Parker, but you took LSD,” Mackay, in an interview last year, remembered Iggy said. Mackay rose to the occasion.

“Music was everything for Steve,” his longtime companion Patricia Smith told The Washington Post in a phone interview. “He always had music in his head.”

“I never stopped learning how to play better and better,” Mackay said. “Or different and different.” – The Washington Post

He made other records and performed with a succession of different musicians, but none had the impact of the songs he recorded with the Stooges for their 1970 album Fun House. … He joined the re-formed Stooges in 2003, refusing to rehearse with the band before joining them onstage at Coachella. … Their reunion prompted a resurgence of specific interest in Mackay: as well as the Stooges, he played with Jarvis Cocker, formed an experimental band called Estel with latterday Stooges bassist Mike Watt and released several solo albums on which the sense of a musician with his willingness to experiment – the same impulse that had led him into the studio with the Stooges in the first place – still entirely intact, was hard to miss.
The Guardian

In the end it would not be a stretch to call Steve the greatest rock and roll sax player of all time. He was the first to combine the raucous sound of early rock and roll with the freedom and joy of free improvisation, all the while playing each note with total focus. Nobody has surpassed his approach. I’m proud to have known Steve and humbled to have been able to share the stage with him hundreds of times over the years. He always surprised us. – Brian Ritchie, Violent Femmes

RIP Steve Mackay. He was an inspiration to me since my teenage years and “Carnal Kitchen”. It was a great privilege to know this gentle, kind, yet powerfully independent soul. His music, and its impact on so many of us, will live on. – Deniz Tek

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